Saturday, August 25, 2018

Audiofly AF240 Over The Ear Headphones Review


Audiofly is a company based out of Australia with a growing reputation for quality headphones. We have reviewed several of their in ear models, but none of their over the ear models. So Audiofly AF240 is the first for us. It’s a standard closed back corded design.  With an MSRP of $249 they are very well priced.


Features and specs:
Driver type: 40mm single membrane neodymium driver 
Frequency range: 20-20 kHz 
Sensitivity: 103dB at 1 kHz 
Impedance: 16 Ohms
Cable length: 1.5m/60"
Plug type: 3.5mm gold plated straight jack


The Audiofly AF240 came in a nice looking color printed box with photos and specs of the headphone. Opening the box revealed a well protected product held in custom molding. Materials used in the construction was mostly plastic, with some metal and leather. Quality of materials used was good, as was the fit and finish. I loved the design using a detachable cable. And the cable was the very high quality cloth wrapped cable that Audiofly is known for.  Also included was a cloth bag and owners manual.  Now let's hear how they sound.




Why the People Like That – Vocals were natural and smooth, bass had nice low end extension and authority. Percussion was sufficiently crisp with good resolution. Harmonica was dynamic.  Rhapsody in Blue – Clarinet was nice and smooth with good timbre. Brass was smooth without being to brassy. Piano sounded natural. Bassoon had nice low end extension into the midbass. Flute had good air. They threw a nice sized sound stage, with good imaging.  Earth Wind and Fire: Let’s Groove – Vocals were nice and smooth with good texture. Bass had nice low end extension and impact. Bass was crisp and clean. Katy Perry: Dark Horse – Bass had ok depth, with ok impact and authority. Vocals were smooth with really good texture and timbre.

Audiofly makes a great headphone, and the tradition continues with the AF240.  Based on their design, features, quality, and performance, they have earned our Recommended Award.  They do give a good value.  For more info and complete specs, checkout their website at www.audiofly.com.










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Monster Clarity BT Designer Series Headphones Review

Once known mostly for high quality cables, Monster has also gotten quite the name for quality headphones. One prime example is the Monster Clarity BT Designer Series. They are an over the ear design that is wireless in functionality. The sleek design with built-in swipe controls perfectly fits the name.  At $199 MSRP they are an excellent value!


Features and Specs:
Cutting-edge swipe controls​ for play/pause, tracking, and volume​.
Superior wireless performance (apt-X)​.
Ultra-soft ear cushions​
Pivoting ear cups​.
Concealed adjustable headband​. Silicon padding won’t slip off your head.
Active echo suppression technology. Built-in, high-intelligibility​ mic for crystal clear calls.
Extended battery for all day and all night listening – Over 24 hours at ample level​. 30 hours talk time​. 20 days standby​.
Low battery warning tone and light.




The Monster Clarity BT Designer Series came in a nice looking color printed box with photos of the headphones and it’s features and specs. They were well protected, held in a molded plastic enclosure. Materials used in the construction was mostly plastic with some metal. Quality of materials used were good, as was the fit and finish. They are a well made product. Also included was the owners manual, charging cable, audio cable, USB to microUSB adapter, and soft cloth bag.

I like the design of the Monster Clarity BT Designer Series. With an MSRP of $199, you get a big bang for the buck. There’s cutting edge swipe controls to control your listening experience. And the microUSB connection doubles as a charging connector, and a direct digital USB audio input. It’s awesome features, but how do they sound?


Why the People Like That – Vocals were nice and smooth. Bass had nice low end extension and was only a tad muddy. Piano sounded natural. Harmonica was crisp and clean.  Rhapsody in Blue – Clarinet was smooth with nice timbre. Bassoon had nice midbass extension. Piano sounded natural. Flutes had good air. Brass was not overly brassy. Imaging was better than expected at this price point.  Earth Wind and Fire: Let’s Groove – Vocals were smooth. Bass had very good extension, impact, and authority. Brass was nice and clean.  Katy Perry: Dark Horse – Bass had nice low end extension, hit hard and was only a tad muddy at the highest volumes. Vocals were natural with good timbre.

The Monster Clarity BT Designer Series has a really high bang for the buck.  They are

comfortable, sounds good, and have good Bluetooth performance. Based on their design,

features, quality and performance, the Monster Clarity BT Designer Series has earned our

Recommended Award.  For more info and complete specs, check out their website at

www.monsterstore.com.



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Wednesday, August 15, 2018

Audio-Technica ATH-DSR5BT Wireless In-Ear Headphones with Pure Digital Drive Review


Cell Phones do so much for us. Not only to communicate, but they allow us to enjoy our music. Headphones help us do this. They are really helpful with hand free calling. The around the neck design is getting more popular for this. Up for review today is the Audio Technica ATH-DSR5BT

 Features and specs:

Type
Dynamic
Driver Diameter
9.8 mm, 8.8 mm
Frequency Response
5 – 45,000 Hz
Sensitivity
102 dB/mW
Impedance
10 ohms
Battery
3.7V rechargeable lithium polymer battery
Battery Life
Approx. 8 hours continuous use (500 hours standby)
Charging Time: Approx. 3 hours (for 0-100% charge)
Depending on environmental conditions 
Weight
63 g (2.2 oz)
Accessories Included
30 cm (1') USB charging cable, eartips (XS, S, M, L), protective pouch
Type (Microphone)
Condenser
Sensitivity (Microphone)
-42 dB (1V/Pa at 1 kHz)
Frequency Response (Microphone)
100 – 10,000Hz
Polar Pattern (Microphone)
Omnidirectional


Input jack: Micro USB Type B 
Communication System: Bluetooth Version 4.2 
Output: Bluetooth Specification Power Class 2 
Maximum Communication Range: Line of sight - approx. 10 m (33') 
Compatible Bluetooth Profiles: A2DP, AVRCP, HFP, HSP 
Support Codec: aptX HD, aptX, AAC, SBC 

The Audio Technica ATH-DSR5BT came in a nice looking printed box, with features, specs and photos printed on the box. Opening the box showed a wall protected headphone, sitting in soft cloth covered molded plastic. Materials used in the construction was mostly plastic with some metal. Quality of materials used as well as fit and finish was very good. They felt well made in hand. The buttons also had a good feel and feed back. Also included was the owner’s manual, charging cable, and soft neoprene case, and extra sized ear tips.

I love the around the neck design. It is absolutely convenient when you aren’t using your in ear monitors, the little earbuds just hand there on your neck. The one thing that I didn’t like about them, is that the cord did not retract into the housing. Samsung must have a tight patent on that design, as I haven’t seen another manufacturer have a neckband style where the wire retracts into the housing when not in use. I would think there would be another design that would do something similar, but not yet. But having the earbuds just dangle a little is not a big deal. And having much better sound over the basic sounding Samsung is much better. Maybe someday others will come up with some other design to hold the cable when not in use. But until then it’s not a big deal. Enjoy the better sound. Now it’s time to hear how it sounds.

ACDC-Back in black; cymbals were crisp, clear, and very dynamic. Kick drum had very good punch with great pitch definition and low end extension, play in with authority. Guitar sounded nice and raw. Vocals were very natural with very nice texture.

Justin Timberlake – Sexyback; snaps were extremely crisp and clean with excellent dynamics. Bass beats were deep, hit hard and played with a lot of authority. The vocals were extremely natural with great texture and harmonics, throwing a huge soundstage that was both wide and deep. Imaging was spot on.

Christina Perry- A Thousand Years; piano sounded very natural with nice harmonics. The cello was very warm and smooth with excellent texture and pitch definition. The acoustic guitar was crisp and clean with excellent resolution and detail, being able to hear the plucking of the strings. Vocals were very natural sounding with great timbre and texture, being able to hear the articulation. Soundstage was both wide and deep, with imaging spot on, feeling like I was in the recording studio.

The Audio-Technica ATH-DSR5BT was more of a pleasure to review than expected. While I would have loved to see a retractable cable, I quickly forgot all about it once I started listening to them. The sound was natural, smooth and resolution I have come to love from more expensive IEM's, with a neutral sound signature and big soundstage. Based on their design, features, quality and performance, has earned our Editor’s Choice Award. For more information and complete specs, check out their website at www.audio-technica.com.




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Monday, August 6, 2018

Sennheiser PNX 550 Wireless Adaptive Noise Cancelling Headphone Review

If it’s time to look for a pair of headphones, but you don’t have much experience with headphones, it would be easy to turn to a well known company, like Sennheiser. Sennheiser not only makes a great headphone, but they have been doing so for several decades. No matter what style of headphone you are looking for, Sennheiser has one for you. Up for review today is their Senheiser PNX 550.


Features and specs:

Wearing Style:                                    Headband
Impedance:                                         Active 490 ohm/ Passive 46 ohm
Frequency Response (Headphones):   17 - 23,000 Hz
Bluetooth Version:                              Bluetooth 4.2
Supported Profiles:                             HSP v.1.2, HFP v.1.6. A2DP v.1.3, DIP v.1.3
Sound Pressure Level:                                    110dB
THD, total harmonic distortion:         <0 .5="" 100db="" kh="" p="">
Contact Pressure:                                3N
Ear Coupling:                                      Circumaural
Transducer Principle:                          Dynamic Closed
Charging Time:                                   3 hours (full charge)
Pick-up Pattern:                                  3-mic Beamforming Array
Operating Time:                                  Up to 30 hours
Weight w/o Cable:                              227g

The Sennheiser PNX 550 came in a great looking color printed box with photos of the headphones and it’s specs. Opening up the box revealed a well protected headphone sitting in a zippered soft case sitting in custom molded foam. Materials used in the construction was mostly plastic with some metal. The quality of materials was very good, as was the fit and finish. Sennheiser is known for making a quality product, and that reputation continues. Also included is the audio cable, charging cable, airplane adapter, 1/4” adapter, and owner’s manual.
 
I love the design of the Sennheiser PNX 550. They have more of an oval ear cup shape, to give a great comfortable fit over your ears. They collapse to fit well in the soft zipper case for travel. And traveling is where they are designed to excel! They are equipped with both Bluetooth and NFC, for easy connection to your smartphone. The aptX help provide great sound quality of your music. And with the 4 built-in microphones, it is designed to perform well for Adaptive Noise Canceling, and answering calls.  Now let’s see how they perform!

First up is the Bluetooth and hands free testing. The built-in antenna did extremely well! In open air, I was able to go just over 100 feet before I lost signal. Inside, with multiple walls, I did not lose signal until I had gone just over 50 feet. Inside of 50 feet, multiple walls between me an my HTC smartphone didn’t pose a problem.

The built-in mics for hands free calling performed just as well. Phone calls were a cinch. With the Sennheiser PNX 5500 synced, all I had to do was press the answer call button. Calls came through loud and clear. And even better than that, they provided a deep soundstage. My call experience was excellent. The same was also true for the person on the other end of the call. For them, the 4 built-in mics picked up my voice perfectly, as if I was speaking to them with my phone held up to my ear. And even better, the mics didn’t pick up any background noise, such as my TV.

Now it’s time for the Adaptive Noise Canceling. Here the mics did their job equally as well. The Sennheiser PNX 550 was designed for the commuter/traveler. Whether it’s by bus, train, or airplane, that low rumble engine noise can be fatiguing. The PNX 550 performed very well here. Any low bass or rumble was almost entirely gone, by around 90%. Just know that based on the design, it won’t block out background noise completely. So if you’re on a plane and there’s a crying baby in the row behind you…The engine rumble will be gone, but the crying baby will not be.

Last but not least is the music performance. AC/DC: Back in Black- cymbals were crisp and clean. Kick drum was tight with good pitch definition and played with authority. Guitar sounded nice and raw as I’m used to hearing. Vocals were very natural sounding. Soundstage was bigger than expected. Kansas: Carry On Wayward Son – vocals were extremely natural with excellent definition for texture and timbre. Kick drum had great impact with tight bass that also had good low end extension and authority. Drums had good dynamics, the cymbals were crisp and clean. Piano sounded very natural with good harmonics. Soundstage was wide and deep and imaging was very good as well. Fleetwood Mac: Hold Me – Piano was very natural sounding. Vocals were very smooth with nice texture. Percussion was crisp, clean and very dynamic. The cow bell came out loud and clear. Imaging was spot on.

I was very pleased with the Sennheiser PNX 550. They feature a great design, are well built, and the buttons worked well. One was to turn Bluetooth on and off, one was for the Adaptive Noise Canceling, and one was for the sound modes.  The swipes were also simple to use. Thanks to an adequately sensitive side panel, it was easy to pause, play, fast forward or rewind to the songs, as well as adjust the volume. All aspects performed well, and they also sounded great too. It was nice to see Sennheiser is not just sitting on their laurels. They take pride in continuing their positive reputation. With an MSRP of $349, they are worth every penny. Based on their design, features, quality and performance the Sennheiser PNX 5500 has earned our Highly Recommended Award. For more info and complete specs, check out their website at www.sennheiser.com.



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Thursday, July 26, 2018

AudioControl Introduces CP1 Cover Plates for High-Performance ACM Micro Car Audio Amplifiers

AudioControl Introduces CP1 Cover Plates for High-Performance ACM Micro Car Audio Amplifiers

New cover plates enable installers to sell any ACM multi-amp modular and configurable system with a super-premium single-chassis presentation
                                                                                                                                                                                                                                                       
Seattle, WA, July 26th, 2018 – AudioControl (audiocontrol.com) makers of innovative high-performance audio solutions for the residential, commercial and automotive markets has introduced the CP1 series of powder-coated steel cover plates for their ACM Micro family of compact high-performance car audio amplifiers. The CP1 cover plates physically connect two ACM amplifiers together, enabling installers to create a seamless and attractive single-chassis appearance from a modular multi-amp system.

AudioControl’s patent pending modular, configurable system concept enables installers to bring together a number of amplifiers in various configurations, allowing a greater number of audio channels to be created and neatly housed beneath a CP1 cover plate.

The CP1 cover plates are available in three models; the CP1-2.600 (combines two 1.300), the CP1-3.600 (combines the 1.300 and 2.300) and the CP1-5.600 (combines the 1.300 and 4.300). Now installers can sell multiple ACM amplifiers featuring the channel configuration that best suits each customer and offer an elegant, seamless cosmetic finish.

“Now that all of our ACM models are shipping, these sleek cover plates really give our dealers the ability to adapt a highly flexible modular approach to system design, combining different models seamlessly to best suit each customer,” explained Chris Bennett, National Sales Manager – Mobile at AudioControl. “It is our goal to offer the right mix of products for 12-volt dealers, and the ACM amps with the CP1 cover plates give them a range of high-performance amplifiers at a price point and form factor for every customer.

The AudioControl ACM Micro Amplifiers Available Now
The AudioControl ACM amplifiers are loaded with features and deliver superb sound quality for any system design, yet amazingly are only 1 ½ -inches in height and compact overall footprint measuring 8-inches by 3-inches. ACM Series amps can be mounted with controls oriented up or down, and reversible cover plates allow flexible mounting options when paired with AudioControl DM series DSP processors or when using multiple ACM Series amplifiers in confined spaces. All ACM models have been engineered to deliver critical features such as separate speaker and preamp level inputs, giving installers the option to use any aftermarket head unit or their customer’s factory installed system without the need for additional adapters. Each ACM amplifier is 2-Ohm stable and features a 12dB/octave Linkwitz-Riley Crossover and AudioControl’s GTO signal sensing circuitry for the utmost in system flexibility and ease of installation. The ACM-1.300 also includes AudioControl’s patented AccuBASS®circuitry. Based on this outstanding feature array and superior performance, the AudioControl ACM Micro lineup delivers audio entertainment euphoria even in the most confined automotive setting. ACM amplifiers range in MSRP price from $279.99 (ACM-1.300), $349.99 (ACM-2.300) and $349.99 (ACM-4.300).


The AudioControl CP1 cover plates are available now with a US MSRP of $24.99 each


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Thursday, July 5, 2018

AKG N5005 Reference Class Hybrid 5-Way IEM Review


If you're looking for a good pair of headphones, it's easy to turn to generations of experience. AKG has been making high quality headphones for almost 70 years. When they want to bring out the top of the line headphone, they know how to do it right. And that’s just what they have done with the AKG N5005. It is a premium top of the line IEM that satisfies the most demanding consumer.

Features and specs:
System:  Hybrid technology
Driver size:   9.2mm + Quad Balance Armature
Dynamic frequency response range:  10-40kHz
Sensitivity:   116dB SPL/V@1kHz
Impedance:   18 ohm
Bluetooth transmitted power:   0-4dbm
Bluetooth transmitted modulation:   GFSK, Ï€/4 DQPSK, 8DPSK
Bluetooth frequency:   2.402 - 2.480GHz
Bluetooth profiles:   A2DP V1.2, AVRCP V1.4, HFP V1.6, HSP V1.2
Bluetooth version:   V4.1
Battery type:   Lithium-ion
Polymer rechargeable battery:   120mA/3.7V
Charging time:   <2 hours="" span="">
Music playtime with BT on:   8 hours
Talk time with BT on:   8 hours
Weight (g):   11.4g








The AKG N5005 came in a great looking color printed box, with photos and specs of the product. Opening the box revealed quite the presentation! There were two levels to discover. The first provided the IEM ‘s, sound filters, hard zipper case, and serial number badge. The second level showed the additional ear tips, charging cable, and three different cables. All were held in place with custom cut foam. The actual IEM’s were made of a highly polished metal with a black finish on the first half, and a plastic finish on the back. Materials used in the construction was metal and plastic. Quality of materials used, as well as the fit and finish, was excellent! The owner’s manual was also included, as well as a cleaning tool and airline adapter.


When I opened the box, I was blown away by the presentation. Everything had its spot in the custom cut foam. With the filters, you can tailor the sound to your liking, with options for reference, bass boost, mids boost, or high boost. And there is a black polished metal holder for all of the filters that was clearly labeled. The hard zipper case had pockets on both sides to hold all of the accessories. There are six sets of ear tips to give you the best fit. And just so they didn’t leave anything out, there are three sets of cables. You read right…three sets! One is a 2.5 mm cable, one is a 3.5mm cable, and the last is a Bluetooth cable. So you have all of your options covered for any source player, and for either wired or wireless listening. And of course there is also a charging cable.

The design of the AKG N5005 is also spectacular! For low bass, a balanced armature is harder to get the performance as you would from a dynamic driver.  So I have seen many companies use a hybrid design, incorporating a dynamic driver for the lows, and a balanced armature for the mids and highs.  But as with everything else in the design, AKG has taken it to a whole new level! AKG has come up with a 5-way hybrid design which utilizes quad balanced armatures, and a dynamic driver. So there are 2 balanced armatures for the highs, 2 balanced armatures for the mids, and the dynamic driver for the lows. So there are high quality components to provide the best sound, and there’s also the multiple sound filters so you can also customize the sound to your liking. If this aural bliss which the AKG N5005 is poised to deliver is not good enough, AKG also has the looks covered as well. With their exterior black polished metal finish, they will also look like jewelry. Now let’s hear how they sound!

Eric Bibb: Why are People Like That-vocals were silky smooth with very good texture and timbre. Piano was very natural, more so than expected. Bass had very good low end extension and played with a ton of authority. Percussion was really crisp and clean with very good resolution and impact. Harmonica was really dynamic.  Gershwin: Rhapsody in Blue- clarinet was incredibly smooth with excellent resolution to hear the woodiness of the reed and tonguing technique. Piano was very natural sounding and extremely well articulated. Brass was extremely dynamic, without appearing brassy. Bassoon had great extension in the midbass and excellent texture. Flute had extremely good air. Imaging was very good, soundstage was big with good depth.  Earth, Wind and Fire: Let’s Groove- vocals were silky smooth like honey, with excellent timbre and pitch definition. Bass was extremely full, deep, clean and hit like a sledge hammer. Percussion was extremely crisp and clean and very dynamic. The claps were also really crisp and dynamic. There were tons of instruments, and they all came through loud and clear. Imaging was spot on, with a big sound stage.  Katy Perry: Dark Horse-vocals were smooth like honey, with excellent resolution of the timbre and texture. Bass was very full, very deep, hit hard and did so with a ton of authority. Claps were also crisp and very dynamic.

When it comes to In Ear Monitor's, AKG didn't just hit it out of the park.  It went past the parking lot as well!  The AKG N5005 provides killer aural candy for your ears, with its 5-way hybrid design, and hardware sound tuning with its custom sound filters for any preference. Add to that the multiple cables to enable use with virtually any source player, including a wireless cable for Bluetooth!  And if that wasn't enough, they have the polished metal finish for a jewelry look.  Excellent build quality, sound, looks, and plethora of accessories, the AKG N5005 is the whole package.  At $999 MSRP, it's a bargain for what you are getting.  No matter your sound preference, AKG has you covered.  based on their design, features, quality, and performance, the AKG N5005 have easily earned our Editor's Choice Award.  For more info and complete specs, check out their website at www.akg.com.




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