Sunday, April 24, 2016

2016 Headphone Shootout Part 3: The Wireless Models

We've done the IEM and over the ear parts 1 and 2 of the Headphone shootout. Now it's time for the last, part 3 of the shootout. The wireless models. We have some great models, from Audio Technica, JBL, Massive Audio, and Monster. The models include Monster ClarityHD for $80,  Massive Audio Flex for $120, Audio-Technica ATH-S700BT for $130, JBL UA Wireless Headphones for $180,  JBL Everest Elite 700 for $300, and Monster Elements Black Slate Over The Ear for $400.

We typically do not include anything under $100 in the shootout, but Monster was adamant about their Clarity HD, that they would perform as well as a $100 model would, so we included them. While they are entry level for Monster, they are still designed for high quality audio. In speaking to Monsters rep, they understood that most individuals are on a tight budget, so they wanted to bring out a product at a low price point. While the price point is low, they still wanted to have great sound quality and gjve consumers a big band for their buck.


Features and specs:
  • Advanced construction with reinforcement at critical stress points
  • Ergonomically designed, with multiple ear tips for a better fit
  • Won't fall out of your ears like other earbuds
  • Premium wireless Bluetooth sound quality at an incredible value
  • Superior noise isolation
  • In-line mic for clearer phone calls and music control
  • Extremely lightweight
  • Innovative battery design for 5+ hours of listening
The Monster ClarityHD came shipped in a standard colored box with its specs listed. There was also a clear plastic window on the front, so you can see the IEM. Materials used in the construction is mostly plastic. Quality of materials used as well as build quality was good. Also included was the manual, charging cable, extra eartips, and carry bag. They looked better than a $80 product, that's for sure.

Using them was very simple.  After charging them, it was time to get them linked to my HTC One M9 phone.  The owners manual was easy to follow on instructions for getting them charged, and paired. Getting them to pair with my phone was easier than expected.  Next it was time to see how well they held a connection, and I was equally impressed.  I was able to go over 50 feet away with multiple walls between me and my phone and still able to hear clean sound. I was still amazed at the $80 price tag, and could not wait to test them with this years sound tracks.

David Bowie: Let's Dance, had nice deep bass in the kick drum that had really nice authority. Nice resolution in the wood knocker that showed a big soundstage. Vocals were very natural sounding.  Journey: Don't Stop Believing , piano sounded very natural, vocals sounded very natural with good resolution. Kick drum had nice depth and impact.  Also Sprach Zarathustra, ultra low bass rumble had really nice depth and authority, trumpets sounded smooth and natural. Tympani had nice dynamics and resolution.  Junior Wells: Why Are People Like That, vocals were impressively natural with lots of resolution and texture, bass had nice depth and impact. Piano was very natural sounding, cymbal and percussion was crisp. Harmonica was very dynamic, with nice harmonics.  Gershwin: Rhapsody In Blue, clarinet sounded very natural with great woodiness. Horns sounded smooth, piano was very natural. Bass had nice depth, texture and low level harmonics. Flutes had nice air. They throw a larger soundstage and had better imaging than expected.

Massive Audio is known for high quality car audio that is, well, MASSIVE! They have started to do headphones, and the Flex is their wireless model. They are a large over the ear design. They have multiple colors to choose from, and come with a Super Bass feature. Given their car audio heritage, having super bass makes sense.


Features and specs:
Features:
•  Bluetooth enabled for wireless connection
•  Carrying bag with MASSVE logo
•  Noise rejection circuitry
•  Built-in Omni-directional microphone for phone calls and gaming
•  Glossy piano finish with leather ear pads
•  Auxiliary in/out for linking for music sharing
•  3.5mm Flat AUX cable included
•  SUPER BASS button for powerful low frequency or enhanced sound quality 
•  Multi-Function interface for Volume / Play / Pause / >> / << / Phone / Power / Mute
•  Dual oversized speakers for high performance sound quality
•  Mil spec PCB with SMD parts for amplification
•  Battery status LED with low battery audio indicator
•  USB Rechargeable lithium-ion battery with 30 hours music / 35 hours talk & 1200 hours standby
•  Micro USB to USB flat charging cable included
•  Battery indicator display / voice battery low indicator

Specifications:
Connectivity   Wireless Bluetooth
Wireless Range:  33 Feet / 10 meters
Accessories: 3.5mm Flat Wire Auxiliary Cable / Micro-USB Charging Cable / Doctor Who Carrying Bag
Dimensions Open:  7.3"H x 7.3”W x 3.1”D
Dimensions Folded:  4.7"H x 6.8”W x 3.1”D
Battery Life:  30 hours music / 35 hours talk & 1200 hours standby
Battery:  Rechargeable Lithium-ion via Micro USB
Speakers:  2-Way Dual Oversized High Powered Drivers
Finish:   Glossy Piano Finish with Leather Ear and Head Pads
Direct Connect / Linking:  3.5mm Auxiliary In/Out
Microphone:  Omni-directional -43db, SNR>60dB
USB Port:  Micro-USB, DC5V, 350-400mA
Frequency Response:  20Hz - 20KHz
Tuning:  Bass Boost Button For Optional Low Frequency Enhancement
Sensitivity:  110dB
Magnet: Neodymium

The Massive Audio Flex came in a nice box that held it securely and allowed you to see them through the clear plastic window, and the molded plastic that held them firmly in place. Materials used in the construction was mostly plastic. Quality of materials used was good, and the same can be said for the fit and finish. They felt in hand to be a well made product. Also included in the box was the manual, charging cable, audio cable and soft carry bag.

The instructions were easy to follow, on getting them charged, and the same for getting them to pair with my HTC One M9.  There is built-in Super Bass.  And there is a audio in cable to you can listen to them wired for non-wireless devices.  There is also an audio out connection.  This allows a friend to connect up and enjoy the same tunes you are.  The Flex charged easily, and the connections worked well.  I was a bit surprised though to see that power had to be on, even if you were listening to them wired.  So you will want to make sure they have a good charge.  The Bluetooth worked well as well, with me being able to go over 40 feet away and thru multiple walls between me and my HTC One M9.  But how do they sound?

David Bowie: Let's Dance, bass from the kick drum was nice and deep with excellent authority. Wood knockers sounded fairly natural with some resolution and they threw a nice sized soundstage. Percussion was nicely dynamic. Vocals were natural with some smoothness. Journey: Don't Stop Believing, piano had nice tone. Vocals were fairly smooth and natural. Kick drum had very good impact, depth, and played with lots of authority. Also Sprach Zarathustra, showed excellent low end rumble with excellent depth and played with lots of authority, being only a tad boomy. Trumpets sounded very smooth with good resolution. Tympani had nice dynamics, depth and impact. Junior Wells: Why Are People Like That, vocals were natural sounding with very good timbre. Bass had nice low end extension and output. Kick drum had excellent impact. Harmonica was really clean with really good dynamics. Gershwin: Rhapsody In Blue, clarinet had sufficient resolution and sounded natural. Piano sounded natural. Trumpets were smooth and fairly clean and just a touch brassy. Bassoon had good depth and texture. Soundstage was better than expected as was the imaging.

Audio-Technica is known for providing very good bang for your buck. And that appears to hold true for the Audio-Technica ATH-S700BT. They are an over the ear style headphone. The ear cups also rotate for easier storage. Their lightweight design also helps make them comfortable for long listening periods.




Features and specs:
·         Bluetooth wireless technology with mic and music & volume controls built into the earcup for answering/ending calls, controlling music & video playback and controlling volume on Bluetooth wireless devices

·         Remembers up to eight devices and automatically connects with the last paired device 
·         Housings contain an acoustic chamber that’s separate from the electronics and helps to maximize driver performance

·         40 mm drivers for outstanding sound quality

·         Built-in headphone amplifier ensures clear and accurate sound reproduction from the wireless signal

·         Soft, memory foam earpads provide a comfortable fit with outstanding sound isolation

·         Smooth, easily adjustable headband slider ensures a comfortable fit

·         Headphones fold flat for easy transport

·         Internal battery provides six hours of continuous use (200 hours on standby) on a full charge

·         1.2 m (3.9') cable with mic/controls provides a wired connection for when wireless operation is prohibited (e.g., in airplanes or hospitals) or when battery power is low

·         Includes 1.0 m (3.3') USB charging cable

The Audio-Technica ATH-S700BT came in a nice looking box with colored photos and specs for the product. They were well protected in a custom fitted box. Materials used in the construction was mostly plastic. Quality of materials used was good. The fit and finish was also good. They are also very light. And while they are light, they are not cheap or cheaply made. Also included were the owners' manual, charging cable, audio cable and soft carry bag.

The instructions were very easy to follow, and walked you thru how to get them charged and paired with my HTC One M9.  I also liked the ability to be able to use the included audio cable, incase either the battery dies, or you have a non-wireless device.  The earcups were very comfortable and gave a very good seal.  And the Bluetooth radio worked very well.  I was able to go over 50 feet away from my smartphone, and thru multiple walls with having great perfectly clear sound.  They seemed to be a great bang for the buck, and couldn't wait to hear how they sound!

David Bowie: Let's Dance, kick drum played deep and with a lot of authority. Wood knocker showed good resolution and a wide soundstage. Vocals were very natural with good texture with nice smoothness. Journey: Don't Stop Believing, piano was impressively natural sounding. Vocals were nice and smooth with great timber and texture. Kick drum had very nice depth, impact, and played with authority. Also Sprach Zarathustra, revealed excellent low end extension and depth, with very good authority. Trumpets sounded very smooth and clean and a nice wide soundstage. Tympani had very nice dynamics, impact, and resolution. Junior Wells: Why Are People Like That, vocals were very natural sounding with excellent resolution and texture. Bass had very good depth and output. Harmonica had really nice clean harmonics with excellent dynamics. Gershwin: Rhapsody In Blue, clarinet was really natural with good tone and woodiness. Trumpet was really clean and smooth without being brassy. Bassoon had nice depth and texture. Timpani had nice impact. They threw a really wide soundstage and imaging was very good.



JBL partnered with Under Armour for their UA Wireless Headphones Wireless. If you have an active lifestyle, these could be for you. Whether it is just running, or playing basketball, they are designed to stay in your ears. They are wireless IEM with built-in controls, so you can also use them with your smart phone, and link to it with Bluetooth.

Features and specs:
With a proven ergonomic ear tip designed specifically for athletes, twist and lock them into place – they’re guaranteed never to hurt or fall out.
Internal and external strain reliefs along with IPX5 sweat proof construction provide the ultimate durability.
Premium 5.8mm dynamic drivers deliver big sound in a compact size. JBL’s legendary Pure Bass Performance will keep you driven to finish strong.
Bluetooth connectivity to iOS and Android devices allows for a wire free, distraction free workout
Control tracks, volume and calls easily with a inline 3-button mic.
Get a week’s worth of workouts with 8 hours of battery life per charge.
With a membership to to MapMyFitness Premium you can precisely monitor your health and track progress.
Frequency Response

10Hz–22kHz
Driver

Premium 5.8mm Dynamic Driver
Connector

Micro USB cable for charging



The JBL UA Headphones came in a nice red box, and were well protected being held in foam molding. Construction was mostly plastic and soft plastic rubber. And I can see by their design how they would give a solid fit and not fall out. Quality of materials used was good, as was the fit and finish. Also included was the owners' manual, additional set of ear tips, charging cable and soft carry case.

The manual was easy to follow, with how to charge them and get them to pair with my HTC One M9 smartphone.  Charging them was very easy. Getting them paired with my smartphone was very simple as well.  And their Bluetooth performance was good.  I was able to have good quality crystal clear sound up to 40 feet away from my phone, and with a wall between me and the phone.  The design of the IEM's definitely made for a secure fit.  I tried shaking my head and they held a firm fit.  They were not going to fall out!  I was able to get a great fit with one of the tips as well.  SO while they were not going to fall out, I also had a good seal for the tunes as well.  Now it was time to test their sound performance.

David Bowie: Let's Dance, bass from kick drum had good depth with authority. The wood knockers revealed a fairly wide soundstage. Percussion had good dynamics, vocals were natural sounding.  Journey: Don't Stop Believing, piano sounded very natural. Vocals were very natural with good resolution. Kick drum had nice impact and depth. Imaging was good for their price point.  Also Sprach Zarathustra, low end rumble had good depth and played with authority. Trumpets were smooth and not too brassy. Tympani had nice dynamics and impact.  Junior Wells: Why Are People Like That, vocals were very natural with really good resolution. Bass had nice low end extension and output. Piano sounded very natural. Harmonica had nice harmonics with very good dynamics.  Gershwin: Rhapsody In Blue, clarinet sounded very natural and clean with some woodiness. Horns were really smooth. Piano sounded more natural than expected. Bassoon had good depth and texture.


Next up are the JBL Everest Elite 700.  They are JBL's top of the line wireless headphone, and it shows. Not only are they wireless, they are also active noise cancelling. JBL also includes some top shelf technology in them. Their NextGen Technology allows them to control the level of outside noise. And TruNote is an Auto sound calibration so you can calibrate it to your personal sound preference. There's even a JBL Headphones App.


Features and specs:
Rated power input

30mW
Music play time with ANC and BT on

up to 15 hours
Battery type

(3.7V, 850mAh)
Music play time with ANC on and Bluetooth off

up to 19 hours
Music play time with BT on

up to 19 hours
Maximum SPL

114dB
Microphone sensitivity

-42dBV/Pa
Dynamic frequency response range (kHz)

10 - 22k Hz
Driver sensitivity

99dB@1kHz, 1mW
Driver size (mm)

40
Weight (g)

305
Bluetooth spec

4.0
Bluetooth profiles

A2DP V1.2, AVRCP V1.4, HFP V1.6
Bluetooth transmitted power

<4dbm o:p="">

The JBL Everest Elite 700 came in a great looking foil colored box with photos of the headphones and it's specs. They were well protected, sitting in a molded plastic insert. Materials used in the construction was mostly plastic, with some metal, such as in the hinges. The quality of materials used was very good, as was the fit and finish. They felt well made in hand. This is JBL's top of the line headphones, and it shows.




There are some great features in the JBL Everest Elite 700, so you will want to reference the user manual for them.  Following the manual was very easy, and was able to get them charged and paired rather quickly.   I liked the included audio cable, so they could be used when the battery dies or you want to listed to a non-wireless source.  The Active Noise Cancellation worked out very well, blocking out most of the low frequency noise.  And the TruNote Auto Calibration also worked very well, giving a better sound for me. Following the instructions I had them charged and paired in short order.  The Bluetooth performance was amazing, the best of all the devices, being able to go well over 50 feet and thru multiple walls.  I had my HTC One M9 in one corner of the first floor of my house, and was able to go all over downstairs as well as all over upstairs without even a hickup!  I was anxious to hear how they sounded!



David Bowie: Let's Dance, the kick drum had really nice low end extension and played with very good authority and impact. Wood knockers showed really nice woodiness, and a wide soundstage. Vocals were pleasantly natural with very good timbre and texture. Journey: Don't Stop Believing, piano sounded extremely natural, vocals were silky smooth with very good texture. Soundstage was nice and wide. Kick drum had depth and impact. Also Sprach Zarathustra, had nice depth of the rumble and good output. Trumpets were silky smooth and really clean with excellent harmonics, throwing a wide soundstage. Tympani had really nice impact and dynamics. Junior Wells: Why Are People Like That, vocals were silky smooth with very good, timbre and texture. Bass had good low end extension and output. Piano sounded natural. Percussion had excellent resolution with crisp cymbals and snare. Harmonica was really clean and very good dynamics. Gershwin: Rhapsody In Blue, cymbals had very good dynamics. Horns were warm and smooth yet not brassy. Bassoon had nice harmonics with good depth and texture. Soundstage was big with depth and imaging also very good.

Last but not least are the Monster Elements Black Slate Over The Ear headphones. They already have the 24K, but Monster has expanded on that concept. Now they created the Elements Series, which is a completely wireless line that comes in three versions - over-ear, on-ear, and in-ear.  Colors, available are namely the Black Slate, and Rose Gold for now, with more finishes to come soon.  They are scheduled to be available in June, but wanting to be included in our annual shootout, Monster sent over a pair of the Black Slate over the ear, with a MSRP of $400.



Features and specs:
Not yet on their website, but will be soon.

In Monster fashion, the Black Slate came shipped in a great looking color box with photos of the headphones and their specs. They were well protected, being shipped in their soft zippered carry case, that was held in a molded plastic insert. Materials used in the construction was mostly plastic with some metal and were excellent. The fit and finish are also excellent. The monster Elements are a top of the line series for Monster and it shows! They felt very well made in hand. I LOVE the metallic sparkle look of the Black Slate! And the memory foam earcups make them comfortable to wear.


Following the instructions was easy, and in no time at all I had the Monster Elements Black Slate charged and paired to my HTC One M9.  And as usual they also came with a separate audio cable.  So if the batteries die or you are wanting to listen to a non-wireless device, Monster has you covered.  The wireless performance was also very good.  I was able to go over 50 feet away with multiple walls between me and my HTC One M9, and the sound was perfectly clear.  I also really liked the touch sensitive Swipe Control, being able to control the music by moving my finger across the top of the earcup! Of course being able to listen to high res audio thru the USB Audio connection is also very cool. But how did they sound?

David Bowie: Let's Dance, kick drum was deep and played with very good authority and impact. Wood knocker was very woody and revealed a very wide soundstage. Percussion was nice and crisp. Vocals were the way Bowie should sound with excellent resolution in the timbre. Journey:Don't Stop Believing, piano sounded very natural, vocals were smooth like honey, with excellent resolution and texture. Kick drum had great depth, impact, and played with authority. Also Sprach Zarathustra: revealed a very nice rumble that was really deep and with really nice authority. Trumpets were really clean and silky smooth throwing a really wide soundstage. Imaging was excellent. Tympani played with excellent dynamics, impact and detail from the pad of the drum. Junior Wells: Why Are People Like That, the vocals had excellent resolution and texture.  Bass had excellent depth and authority. Piano sounded natural. Percussion was crisp, with nice dynamics and impact. Harmonica had excellent dynamics and harmonics. Gershwin: Rhapsody In Blue, the clarinet had excellent resolution, woodiness and air. You could hear the breathing technique. Piano sounded very natural. Cymbals were very dynamic and crisp. Horns were smooth like honey and not brassy, with excellent harmonics. Bassoon had excellent texture and low end extension. Soundstage was wide with depth. Imaging was also very good.


The wireless section in this year's Headphone Shootout revealed some excellent products.  I could see why Monster was adamant about wanting their Wireless ClarityHD included.  I could easily see them competing with products twice their price.  If you are on a tight budget, the Wireless ClarityHD should be on your short list.  If you are not a Monster fan, after buying the ClarityHD...you will be!  Massive Audio while being new to the headphone industry, put forth a good product.  If you are someone who like a lot of bass, these could be just what the doctor ordered.  And being able to share your tunes with a buddy is icing on the cake.  Audio-Technica is known for giving a very good bang for your buck with their products.  In terms of the ATH-S700BT, they hit it out of the park!  They had a very neutral sound with very good resolution, and bass.  And they too would give other models twice their price a run for their money!  JBL is known for their high quality audio products.  And if you like to listen to your jams while you play basketball or some other sport...you will know they won't fall out! And they did provide a very good sound. The JBL Everest Elite 700 provides an amazing sound, and a very good seal.  They provide a great sound in JBL fashion, and have some awesome extra features, such as the Active Noise Cancellation, NextGen, and TruNote.  Last but not least is the Monster Elements Black Slate.  They are very well made, very durable, and in true Monster fashion, provide an excellent sound with excellent performance of its other features. Monster continues to solidify its place in the headphone industry.  If you don't know headphones, with a purchase of a Monster product, you will get a great sounding product.  Based on their design, features, quality, and performance, and price, the Massive Audio Flex and JBL UA Wireless Headphones has earned our Recommended Award.  The Monster ClarityHD Wireless and Audio-Technica ATH-S700BT have earned our Highly Recommended Award.  And the JBL Everest Elite 700 and Monster Elements Black Slate Over The Ear have earned our Editor's Choice Award!  For more info and complete specs, check out their website at www.audio-technica.com, www.jbl.com, www.massiveaudio.com, and www.monstercable.com.





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Saturday, April 9, 2016

2016 Headphone Shootout Part 2: The Over The Ear Models

Now it's time for part two of the headphone shootout and the over the ear models. They consist of Kingston HyperX Revolver, the Kenwood KH-KR900, Blue Lola, and Audio-Technical ATH-A1000Z. They range from $129 to $399, with $129 for the Kingston,$219 for Kenwood, $249 for Blue, and $399 for the Audio-Technica.

The Kingston HyperX Revolver is actually a gaming headset, that doubles as a standard over the ear headphones. The mic is detachable. The attached cable is a standard cable. Then there is a second cable that attaches to the attached cable. This extends the cable length for sitting back from the TV, and it also has mic mute switch, to mute the mic wherever you need to have a conversation with someone else in the room.  At least this is what I thought initially, which turned out not to be the case.  The second cable with the built-in mic mute and volume switch is for PC gaming.  For XBox One, the cable will plug in to the controller.  In order to have control of the volume at your fingers, you would need an adapter that connects between the Revolver headset and the controller.

Features and specs:
Studio-grade soundstage
Signature HyperX memory foam with premium leatherette
       Durable steel frame
       Detachable noise cancelling microphone
       Next-generation directional 50mm drivers
       Multi-platform compatibilities
       Headphone:
       Driver:  Dynamic, 50mm with neodymium magnets
       Type:  Circumaural, Closed-back
       Frequency Response:  12Hz-28,000 Hz
       Impedance:  30 Ohm
       Sound Pressure Level:  104.5BSPL/mW at 1kHz
       THD:<2 p="">  <2 o:p="">
       Input Power:  Rated 30mW, Max 500mW
       Weight:  360g
       Weight with mic:  376g
       Cable length and type:  Headset (1m) + Audio Control Box (2m)
       Connection:  Headset 3.5mm plug, Audio Control Box 3.5mm stereo and mic plugs
       Microphone:
       Element:  Electet condenser microphone
       Polar Pattern:  uni-directional, Noise cancelling
       Frequency response:  50Hz - 18,000 Hz
       Sensitivity:  -40dBV (0dB=1V/Pa, 1kHz



The Kingston HyperX Revolver came shipped in a nice looking box and cut out insert to protect the Revolver. Included in the box was the owners manual, detachable mic, second cable with the mic switch, and the headset. Materials used in the construction were good, and the quality of construction and the fit and finish was even better! These looked like they should have been priced more.  And they were very well made, which is a good thing based on the amount of time gamers tend to, well.....game!  But, how do they sound?

David Bowie: Let's Dance, had nice depth, impact and authority in the kick drum. The knocker sounded woody and revealed a wide soundstage and good imaging. Vocals were natural, percussion was crisp and dynamic. Journey: Don't Stop Believing, keyboard sounded natural, vocals were very natural with great texture and detail, the size of soundstage surprised me, throwing a large and wide soundstage! Percussion had good dynamics, kick drum had good depth. Also Sprach Zerathustra, very good low end extension as well as output. Brass was smooth and not overly brassy. Nice impact in the tympani, with nice big soundstage. Junior Wells: Why Are People Like That, really nice low end extension in the bass that also played with authority. Vocals were very natural with good texture. The harmonica was nice and clean with good dynamics. Gershwin: Rhapsody In Blue, clarinet was really natural sounding with enough resolution that you could hear their breathing technique. Brass sounded smooth, piano sounded natural, and bassoon had nice depth and texture. They threw a big soundstage, and imaging was good.



Kenwood is fairly new to the headphone industry. They have a couple different models. What they included in the shootout is their top of the line KH-KR900, that has a MSRP of $219. Kenwood has made excellent car stereo components for decades. Having a lot of experience with their quality car audio gear, we naturally jumped at the opportunity to include this model in our Headphone Shootout.




Features and specs:
·         Driver:  40mm
·         Magnet:  Neodymium
·         Frequency Response:  7 - 28,000Hz
·         Impedance:  32 ohms
·         Sensitivity:  102dB/1mW
·         Max Input:  1000mW (IEC)
·         Cord Length:  3.94ft (1.2m)
·         Weight:  7.05oz (200g)
·         Remote + Mic:  Yes
·         Plug:  iPhone compatible, gold plated
·         Accessories:  Detachable cable, Carry Pouch


The Kenwood came in a nice looking printed box with photos of the product and it's specs I like the fact that it also had a clear plastic window on one side so you can see the actual product. And they were well protected, held in a custom molded plastic insert. Materials used were mostly plastic, with some metal. Quality of materials used were very good, as was the fit and finish. They were also fairly light weight, which would be nice for long listening periods.

I also liked the design of the Kenwood KH-KR900. The sides of the earcups swivel, which is popular DJ feature. This allows you to hear the music, as well as those around you. At a price of over $200, they can be considered by some as an investment. The use of detachable cables I feel is a huge selling point, that way if you get a short in the cable, all you are replacing is the  cable.  The styling of the outside of the earcups reminded me of the styling of some of their car amps.  The real question though is if they sound as well.

David Bowie: Let's Dance, keyboard sounded natural, vocals sounded natural with good timbre and texture, soundstage was big, kick drum had good depth and output. Journey: Don't Stop Believing, keyboard sounded natural, vocals were natural with nice texture and harmonics.  Percussion had very good dynamics, kick drum had very good depth and played with authority. Also Sprach Zerathustra, had really nice ultra deep base with really good output. Brass was smooth with good resolution and a big soundstage. Tympani had nice dynamics and impact. Junior Wells:Why Are People Like That, showed nice deep bass with good output and authority. The vocals were smooth with really nice timbre and texture. The harmonica had nice dynamics with crisp harmonics and good resolution. Gershwin: Rhapsody In Blue, clarinet was very natural and smooth with very good resolution to hear the breathing technique. Brass was smooth, clean and not too brassy. The bassoon had nice texture and depth. Piano was very natural sounding, with great dynamics. They throw a big soundstage.


Next up is the Blue Lola. Last year Blue came out with the Mo-Fi. They were a big hit among audiophiles, especially with the built in amp. Now, Blue is expanding their line up with the Lola. The Blue Lola has all of the unique features of the Blue Mo-Fi, only with no headphone amp built in, and lack of headband tension adjustment. The lack of these feature has resulted in a price drop from $349 to only $249. On paper, this is an extremely aggressive price point given the features. We'll see how they actually perform.


      Features and specs:
      Type and Size:  50mm fiber-reinforced dynamic driver
      Impedence:   42 ohms
      Frequency Response: 15-20,000 Hz
      Enclosure Details:  Sealed enclosure with tuned damping material
      Weight:  397 g

The Blue Lola came in a great looking box, with photos of the product and it's specs. The materials used in the construction was actually mostly metal, with some plastic. Quality of materials used was very good, and the fit and finish was excellent! The Blue Lola is a premier product, and built like a tank! Also included in with the Blue Lola is the owners manual, soft carry bag, and longer cable.


I love the design of the Blue Lola. Starting with the Blue Mo-Fi, they started from the ground up in designing a headphone. And the design, especially the headband, was totally out of the box thinking. It allows you to not just adjust the fit, but also the tension. All of this is done by incorporating a lot of metal arms and joints. This makes it not only well adjustable, but very sturdy in build, so it should be able to last a very long time.  The Blue Mo-Fi performed so well last year, I was excited to see how the Lola would sound.

David Bowie: Let's Dance, kick drum had very good depth and had good output. Knockers showed a huge soundstage, percussion was crisp with really good resolution, vocals were natural with great texture. Journey: Don't Stop Believing, keyboard sounded extremely natural and detailed, vocals were silky smooth with excellent texture and harmonics. The soundstage was really big, and imaging was spot on. Also Sprach Zerathustra, really nice clean ultra deep bass, with very good authority. Silky smooth brass with nice detail without being too brass, and throws a big soundstage. Tympani had nice impact. Junior Wells: Why Are People Like That, bass had really good depth and authority. Vocals were silky smooth with excellent resolution and timbre. Harmonica was smooth, really clean, and very dynamic. Percussion was crisp with good resolution. Gershwin: Rhapsody In Blue, clarinet was very clean and smooth with good texture and woodiness from the reed. Brass was also smooth without being too brassy. Piano sounded very natural. Bassoon had excellent depth and air. Imaging was excellent as was the soundstage big.

Last but not least is the Audio-Technica ATH-A1000Z. Audio-Technica is known for providing excellent quality headphone, for a big bang for the buck. With the increase in popularity of the newer Hi-res audio format, it was time for an update. Audio-Technica is starting to redo their lineup with new Hi-res audio compatible models. Up for review today is one of those new models, the ATH-A1000Z.


Features and specs:
  • Newly designed 53 mm drivers with OFC-7N bobbin-wound voice coils
  • Hand-assembled drivers include top-mounted PCB and pure iron yoke, ensuring precise diaphragm movement and superior transient response
  • High-rigidity aluminum housings
  • Lightweight magnesium alloy baffle decreases unwanted vibration
  • Proprietary 3D wing support system for excellent fit
  • Stitched, ergonomic earpads offer superior comfort and sound isolation
  • 3.0 m (9.8') OFC-6N dual-sided, four-core cable with elastomer sheath
  • Includes 6.3 mm (¼") stereo adapter
Type
Closed-back dynamic
Driver Diameter
53 mm
Frequency Response
5 – 43,000 Hz
Maximum Input Power
2,000 mW
Sensitivity
101 dB/mW
Impedance
44 ohms
Weight
265 g
Cable
3.0 m (9.8') OFC-6N dual-sided, four-core cable with elastomer sheath
Connector
3.5 mm (1/8") gold-plated stereo mini-plug
Accessory Included
6.3 mm (1/4") gold-plated stereo adapter


The Audio-Technica ATH-A1000Z came in a great looking glossy colored box with photos of the product and it's specs. Materials used in the construction is mostly metal, with some plastic. The quality of materials used was very good, as was the fit and finish. The ATH-A1000Z is a premium product, as you can tell. It can be seen in the metal earcup backs, in the thick cable, and even the metal connectors on the end. Also included in the box was the manual, and a 1/4 " adapter.  So far so good, but just how good do they sound?

David Bowie: Let's Dance, Kick drum had very good depth and played with good authority. Percussion was very crisp, clean dynamic. Knockers had detail and woodiness, and revealed a huge soundstage. Vocals were extremely natural with great timbre. Journey: Don't Stop Believing, keyboard was extremely natural with really good resolution. Vocals were palpable in resolution and very natural with great harmonics. Percussion was crisp and dynamic with nice depth in the kick drum. Soundstage was huge. Also Sprach Zerathustra, nice really deep bass that could be heard, brass was smooth and really crisp and clean with excellent harmonics and no audible coloration, throwing a wide soundstage. Tympani had really good impact with resolution to hear the pad being pounded. Junior Wells: Why Are People Like That, bass had nice low end extension with good output. Vocals were lifelike in detail and resolution, and had plenty of texture. Harmonica was extremely dynamic with excellent harmonics. Gershwin: Rhapsody In Blue, clarinet was extremely natural with so much resolution you could fairly easily hear things like the breathing technique, it's woodiness, and the nice air from the clarinet. Brass was crisp, clean, with nice detail. Piano was also extremely natural, with excellent resolution to be able to hear the striking of the keys. Imaging was very accurate and the low level harmonics as well as dynamics were striking.

We had some excellent contenders in the over the ear models this year.  And the competition was pretty fierce!  For a gaming headset, the Kingston HyperX Revolver was a complete redesign for Kingston to have studio grade sound.  And they hit it out of the park!  I was not expecting the sound to be this good at their price point.  They did everything very well, and sound like a significantly higher priced headphone.  Kenwood showed just how strong their audio roots are in their excellent product of the KH-KR900.  Overall they had very good bass output and authority, yet were not lacking in the detailed mids and clean highs.  Blue took things to a higher level with their Lola.  The soft earpads fully engulfed the ears, providing a great seal, allowing all of their resolution to come out in spades.  And the all metal headband was built like a tank! I did notice that the drivers did seem to be more power hungry, as the volume was noticeably lower than the other models when listening to the same track.  If you like your music really loud, they would benefit from a portable headphone amp if listening to them on the go.  I like my music a bit on the loud side.  When listening to them thru my iPod, they were plenty loud enough for me, but I also had the volume up all the way.  Last but not least are the Audio-Technica ATH-A1000Z.  Audio-Technica has an excellent product on their hands!  I could tell that it was a redesign for the new Hi Res Audio, as the resolution was stellar all around.  Highs were crisp and clean, and mids were smooth. While the bass output was a bit shy of the output I tend to like, the bass did play low and deep with sufficient authority.  Based on their design, features, quality, and performance, the Kingston HyperX Revolver and Kenwood KH-KR900 have earned our Highly Recommended Award.  The Blue Lola and Audio-Technica ATH-A1000Z have earned our Editor's Choice Award.  For more info and complete specs, check out their website at www.kingston.com, www.kenwood.com, www.blue-headphones.com, and www.audio-technica.com.





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Saturday, April 2, 2016

Car Stereo System Upgrades: Ballistic Competition Bulk Kit Sound Dampening Material and T-Spec V10 Series 4 Gauge Power and Ground Wire Review

Summer will soon be upon us, which is the time of year many turn to upgrading their car stereo system. To do it right, you need a good foundation and infrastructure. One of the best companies for this is Metra. They provide the gear you need to get it installed right, and get the best out of your systems.

You may ask, foundation and infrastructure? What do you mean? It’s called wiring, connections, and sound dampening. The road is a noisy environment. To help you better hear your tunes, you need to try to keep the noise outside, and the music in. And your car rattling due to bass from your subwoofer can be obnoxious. Some really good sound dampening material can help with all that. It will get rid of the rattles and help keep the road noise outside the car, Metra can provide that with their Ballistic Sound Dampening Material.  And what they provided is the Competition Grade Bulk Kit.
 

Features and specs of the Ballistic Competition Grade Bulk Kit:
New Jet Black Finish with Silver Logo 2.2mm Thickness 0.72 mass per ft2


Made of proprietary butyl rubber composite with an aluminum constraining layer for vibration damping. Designed and engineered in the United States, Ballistic is extremely efficient at converting vibration to thermal energy. This unique formula allows the material to easily conform and adhere to sheet metal and most other hard surfaces.


COVERAGE
4.0 Sq Ft (0.372) Each
36.0 Sq Ft (3.34M2) Total


BOX DIMENSIONS
20.75" x 13" x 4.33

Features and specs of the T-Spec Power and ground Wire:
·         > Meets CEA and ANSI specifications for wire gauge
·         > Full virgin copper construction
·         > High strand count for maximum flexibility
·         > Ultra-flexible PVC blended jacket
·         > BC-5W2 marine compliant

You also need good quality wire for ground and power. The right high quality wiring will get the most out of your system. It’s a lot like a freeway. Ever been in bumper to bumper freeway traffic? You can’t get as many cars down a 2 lane highway as you can on an 8 lane highway. It is the same with electrical current. You can’t get the current your amp needs with thin speaker wire sized power and ground cable. That could actually be a fire hazard. I’ve seen guys have a large 1,000 watt amp, and only use cheap 8 gauge wire for it. To get the most out of your amp, you need large high quality wire. This will get the most clean power to your amp.

Not all power and ground wire are created equal. Cheap wire will not have a high strand count, and will have thicker wires. One can argue that high strand count doesn’t provide better sound or more power to the amp. But it certainly makes it much more flexible, hence more friendly to use during installation. The cheap wire is also not as thick. Cheap 4 gauge wire will look like 4 gauge wire. But after you take off the plastic jacket, you will see the plastic jacket is extra thick, and the actual wire is not as thick as it should be. It’s probably more like 5 or 5.5 gauge. You can clearly see from the attached pics. It’s another example of getting what you pay for. Not only do you actually get the wire gauge you pay for, but with provided Metra's T-Spec V10 series power and ground wire it is a full 100% oxygen free virgin copper with high strand count with flexible jacket. It’s a very high quality, very flexible wire that will get the current to your amp that it needs, so you will get everything out of your amp that it can give. And it also makes installation very easy. I’m particular with my installations, for them to have a clean look. Such a high quality flexible wire is critical when you need to bend around corners.  To compare, I included photos of Metra's T-Spec V10 Power cable in 4 gauge using 100% virgin copper high strand count wires.  And as a comparison I included some Performance Teknique 4 gauge high current power wire. 

As you can see from the photos, the Performance Teknique appears to be as thick overall as the T-Spec V10 series wire.  The T-Spec is actually just a tad thicker overall.  But if you look much closer, you will be able to see the real difference.  The red plastic jacket on the Performance Teknique is much thicker than the jacket on the T-Spec V10 wiring.  This means that the amount of actual wire in the Performance Teknique would be much less.  And if you look at the side by side photos of the two wires, you can see that the copper wire in the Performance Teknique is much less! Measuring with a tape measure, the total thickness of the wire cluster in the jacket of the Performance Teknique is 5/32 of an inch.  While the size of the wires in the T-Spec V10 series is 8/32 of an inch.  That's a huge difference!  Since the jacket on the T-Spec is thinner, it also means a much more flexible wire.


When it came time to test the performance, the quality of the T-Spec  V10 Power Wire performed well.  It was easy to install with its high flexibility.  And the fact that you know it is true to its power rating helps you rest assured that your amps will get the current that they need for you to get the most power out of them.  The Ballistic Competition Grade Bulk Kit also performed very well.  You'll want to be careful when cutting it into smaller pieces as your install may require, as it is very sticky!  But due to how sticky it is, you know that it will stay on as a permanent part of your vehicle.    Make sure to also get the install tool, which makes installing the material much simpler.  And the end result is a material that really does help a lot to reduce the amount of road noise that you hear inside the vehicle.   The rattling from the subwoofer is also eliminated.  Based on their design, features, quality, and performance, the T-Spec V10 series power cable and the Ballistic Competition Grade Bulk Kit have both earned our Editor's Choice Award.  Kudos to them on a great product.  For more info and complete specs, check out their website at www.Ballistic-online.com and www.tspeconline.com.



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